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He may have named himself after an iconic piece of Australian fauna but Montrealıs Kid Koala is
less than familiar with the animalıs temperament. "Theyıre kind of vicious arenıt they?" enquires Eric San aka Kid Koala.
No
not really, they spend most of their time sleeping off the results of excess eucalyptus consumption. "Really? Iım going
to have to try some of that when I get over," enthuses San. "Do they have any eucalyptus alcohol down there?"
While
he may have a thing or two to learn about local alcoholic beverages Kid Koala has pretty much mastered the art of turntablism
and vinyl manipulation. Not as prolific as some of his contemporaries the Canadian based artist produces painstakingly
crafted pieces of twisted jazzy hip hop. These unique sound collages havenıt gone unnoticed either with one of the biggest
bands in the world, Radiohead, inviting San to open for them in front of 20,000 people at New Yorkıs Madison Square Garden.
"I
was like, What the hell am I doing here?ı," says San. "Well they asked me so thatıs probably why. The audience was very
sweet. I knew it wasnıt going to turn into a big dance party or anything, at least not for the 20 minutes I was playing.
They had cameras and stuff on the turntables and put it on their screens. They were very supportive. I think for a lot
of the audience theyıd never watched a DJ play like that before so I think they had a good time."
Not many turntablists
can list Madison Square Garden on their bio. Could it be a sign turntable music is becoming understood within the mainstream audience?
"Whether it becomes mainstream really depends on what the stuff sounds like," says San. "For me I think my stuffıs a little
too weird to ever go mainstream. You canıt sell cars with my music put it that way. Not that thatıs a sign youıre going
mainstream but at least thatıs something people can relate to enough that people want to associate their product with you.
I donıt get those offers, unless someone comes up with a really weird car one day."
What sort of car? "I donıt know,
one that runs on yoghurt?"
Kid Koala albums are more than just a series of tracks thrown together. A strong narrative
permeates his work. In fact a comic, penned by San during periods of musical writerıs block or long bus rides when on tour,
has accompanied each album. The comics go a little way to explain the twisted beats.
"Iıd say if youıre confused
at all by the audio on the CD if you can get your head around the silent comic book, at least the humour involved in it, itıll
probably make a lot more sense," says San. "But Iım not saying if you turn the page very four bars itıs going to make perfect
sense all of a sudden. Itıs just another way to look at it. For me itıs just stories, musical stories."
While
humour is a major part of the Kid Koala sound thereıs something else. The robotic characters in Sanıs comics all suffer
a romantic tragedy of some description. Could a similar incident have occurred in Sanıs past?
"I think all DJs are
romantics," says San. "Itıs a very romantic idea to be a DJ. We started DJing because we thought it would be a good way
to meet girls back in high school. We were like, We can either be on the basketball team but that doesnıt seem to be
happening or maybe we could start a mobile DJ system and weıll get invited to all the parties?ı Thatıs pretty romantic wouldnıt
you say?"
Did it work? "The tragic part is no it didnıt."

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| eric the kid... |
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tangents @ de-VICE:
ZEN TV II TOUR 2006
COLDCUT: SOUND MIRRORS
LUKE VIBERT
KID KOALA 'FENDER BENDER' VIDEO-CLIP
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